Endelman, British born, spending his entire youth in London, somehow in 1992, found his way to New York. He had the opportunity to work with Robert DeNiro on an independent film, called, “A Bronx Tale.” If you know of Endelman’s work, DeNiro seized a sensitive love tale that outlined racial prejudice between Bronx born Italians and the Blacks in the hood. When two of the hood’s youth become emotionally entangled, they take an, against all odds, love conquers all, stance. Stephen’s re-uniting with longtime Miramax bud, “Rob the Mob” director, Raymond De Felitta, shows standard truths, that all hold equal sharing of back and forth ideas, between, composer and director. Endelman and DeFelitta often use Stephen’s Los Angeles based studio, rather than using the music-temping process. The decision to use the studio cuts down on production time and most of all helps to maintain a solid, yet reasonable budget. Scores by the magic duo, often share a soft and wistful side of Endelman. In the case of choosing action suggestive percussion, Endelman visited a prison cell, where he mixed authentic sounds from the flipping of a toilet seat , and the slamming of a cell door to the scraping of prison bars.
In addition to television and film, Stephen Endelman’s,multi-layered personality, lends his talent
and resources to helping young veterans learn film, and camera work. The skilled Clarinet player understands the
need for mentors for the young, and strongly supports such community programs. His
own brush with brain cancer, secures his place as an authority on how to merge
music, images, and its spiritual fortitude to bend and shape destiny. He is of
the opinion that music and sound, may in fact, offer an emotional shield
against life’s often-harsh circumstances.
Judging from his very positive outlook on life, he could
very well, in fact,be right. Other films by the talented composer include, “The
Englishman Who Went up a Hill but Came Down a Mountain”, Household Saints”, David
O’ Russell’s, Flirting with Disaster, David Mamet, Redbelt and Bruce
Beresford’s, Evelyn.
His soundtrack produced, compilation of Cole Porter tunes,
earned a Grammy nomination, for the Irwin Winkler directed, De-Lovely.
For more information on Stephen Endelman , www.stephenendelman.com and contact
Albert Tello, Costa Communications, Inc., 8265 W. Sunset Blvd. Ste.201, Los Angeles, CA 90046, (323) 650-3588 www.costacomm.com.
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